For this amulet necklace, I’ve basically deconstructed a classic rural Southern-style conjure bag, aka a mojo or toby, and made jewelry out of it.
This is backwoods conjure the way it used to be. It’s miles away from the shiny city general store with imported spices and soaps and fabrics. This is the part of the country where floorwash is made with chamber lye, not ammonia and certainly not Florida Water. New curtains come from recycled worn-out clothes, and those clothes come from recycled flour and feed sacks.
Old barn and field gear provides tiny scraps of leather. Copper, brass, and steel are scavenged from derelict machinery and buildings. Scraps of fabric — saved in an old cookie tin with thimbles and thread — tell 50 years of stories in a square inch: palest blue silk of a once-treasured gown; crisp white poplin once someone’s Sunday best; a thin strip of woven blue and gold once a hair ribbon won at the county fair. Whether passed on or simply moved on, those who once owned these bits and scraps are no longer here. And nobody was listening for their voices before you and I got here. Not everybody can hear them, after all.
This necklace is for those who can – or who want to. It’s for the medium, the storyteller, the card reader, the local historian, for the mad prophet, the family memory-keeper, the soothsayer. It’s for those who live too much in their own heads and those who don’t live enough in theirs, for those who want to remember and those who cannot forget. It’s for magpies of myth, keepers of scraps, and weavers of visions, those who can read the narrative in excavated brick or crumbling beams or rough-loomed fabric remnants. It’s for those who don’t go the long way round to avoid the cemetery at night and who aren’t afraid to slow down and chance hearing whispers in the wind.
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